Adventure & Action: Genre Description, Requirements, and Competition Submission to Participate.

This page provides the main explanatory points of the genre, recommendations for authors, and the committee's evaluation standards for competition works, and leads to the submission start page.

Adventure & Action: Genre description

Adventure & Action is a literary category devoted to movement, risk, and purposeful struggle. Its narratives are driven by journey, pursuit, survival, confrontation, discovery, or mission. The central force of the work must be external action shaped by urgency: the characters must face obstacles that demand decision, endurance, courage, and adaptation. The genre values momentum, tangible stakes, and the testing of human will under pressure.

Adventure concerns passage into challenge: travel, exploration, escape, expedition, quest, or survival in unfamiliar, hostile, or unstable conditions. Action concerns active conflict: pursuit, combat, rescue, resistance, infiltration, defence, or high-stakes confrontation. A work may lean more strongly toward one of these modes, yet it must preserve the spirit of active progression and lived ordeal.

The genre is not defined merely by the presence of danger, violence, or movement. It must present a meaningful sequence of events in which the protagonists are compelled to act, and in acting reveal character, resolve, resourcefulness, or moral fibre. The reader should feel that the story advances through pressure, consequence, and encounter, not through static reflection alone.

Definition of the category (Adventure & Action)

This category is intended for literary works in which the primary narrative engine is a sustained external struggle involving journey, peril, pursuit, conflict, or survival. The text must be structured around decisive events and escalating obstacles, with the plot advancing through action rather than through contemplation, atmosphere, or internal meditation alone.

To qualify as Adventure & Action, a work should possess the following defining characteristics:

  1. A clear movement of plot: The narrative must progress through events, tasks, confrontations, or stages of ordeal. The story should not remain emotionally or physically static.
  2. A central external challenge: There must be a tangible conflict, mission, expedition, escape, survival condition, or confrontation that shapes the course of the work.
  3. High and perceptible stakes: The characters must risk meaningful loss: life, freedom, safety, duty, loyalty, success, homeland, companion, or moral integrity.
  4. Active protagonist involvement: The principal characters must act upon the world. They may be pursued, trapped, tested, or endangered, but they cannot remain merely passive observers.
  5. Escalation of pressure: Difficulties should intensify across the narrative. Obstacles must deepen the challenge rather than repeat without consequence.
  6. Atmosphere of urgency or peril: The genre should sustain a sense of forward pressure, uncertainty, exposure, danger, or imminent consequence.
  7. Spirit of endurance, exploration, or confrontation: The work should embody courage, resilience, initiative, discovery, resistance, or the testing of limits.

Literary shape and formal expectations

A work submitted under this genre should generally conform to the following literary shape:

  • It should have a strong narrative spine, built upon a central journey, mission, survival line, pursuit, or sequence of conflicts.
  • It should maintain pacing appropriate to the genre, allowing movement, tension, and development to remain active throughout the text.
  • It should employ scenes of consequence, in which choices, obstacles, and physical or strategic developments alter the course of the story.
  • It should create a coherent setting of action, whether historical, contemporary, fantastical, speculative, maritime, military, urban, wilderness, or otherwise.
  • It should present conflict in active form, rather than merely reporting that danger exists.
  • It should preserve clarity of dramatic direction: the reader must understand what is at stake, what is being attempted, and what resists attainment.
  • It may contain reflection, symbolism, philosophical passages, or emotional depth, but these elements must support rather than displace the active narrative core.

Critical requirements a work must match

For a submission to be properly recognised within this genre, the following critical requirements should be satisfied:

  • The work must be primarily narrative, not chiefly essayistic, meditative, or descriptive.
  • The dominant impression of the text must be one of action, trial, expedition, danger, or survival.
  • The central conflict must be external and operative, not merely internal or symbolic.
  • The progression of the work must depend upon events and responses, not on static exposition alone.
  • The protagonists must be tested through circumstances that require resolve, movement, or confrontation.
  • The work must convey stakes that are immediate and narratively meaningful.
  • The genre identity must remain evident across the whole work, not appear only in isolated episodes.

What may belong in this category

Works in this category may include, among others:

  • quests and expeditions
  • journeys through dangerous or unknown environments
  • escape and pursuit narratives
  • survival narratives
  • rescue missions
  • military or resistance-oriented action narratives
  • pirate, maritime, frontier, or wilderness adventure
  • treasure-seeking or discovery narratives
  • espionage or infiltration stories with strong literary form
  • historical or speculative works whose chief engine is perilous action

What does not by itself qualify a work for this category

A work should not be placed in Adventure & Action merely because it includes:

  • a few scenes of violence or combat
  • travel without substantial ordeal or danger
  • decorative excitement without structural narrative purpose
  • introspective drama with only incidental action
  • romance, tragedy, fantasy, or political fiction in which action is secondary rather than central

Essential standard

At its core, Adventure & Action must present human beings in motion against resistance. The genre demands more than excitement: it requires narrative propulsion, real stakes, and the disciplined literary shaping of ordeal, danger, and determined action.

Common Features for Writers That the Jury Usually Takes into Account Under the Evaluation Procedure

This section is intended to define the principal literary features that a professional jury commonly considers when evaluating whether a submitted work properly belongs to the Adventure & Action genre, whether it satisfies its formal and artistic obligations, and whether it possesses genuine literary merit.

The purpose of this evaluative framework is not merely to determine whether a text contains movement, danger, or conflict, but whether these elements are shaped into a coherent literary work of convincing genre identity, sound construction, and artistic force.

Correctness of Genre Belonging

The jury ordinarily considers whether the work truly belongs to Adventure & Action in its dominant literary nature, rather than merely borrowing occasional traits from the genre. In this respect, the jury commonly evaluates:

  • whether the narrative is fundamentally driven by external events, action, ordeal, mission, pursuit, confrontation, or survival
  • whether the spirit of the work is one of movement, challenge, hazard, and progression
  • whether danger, conflict, and trial are central to the narrative structure rather than incidental ornaments
  • whether the protagonists are engaged in active struggle, rather than merely observing events or reflecting upon them
  • whether the work sustains its genre identity throughout the whole composition, and not only in isolated episodes

A text may be well written and yet be judged only partially suitable for the category if its true centre lies elsewhere, such as psychological introspection, romance, philosophical reflection, or social drama with only secondary action elements.

Narrative Propulsion and Structural Movement

Since Adventure & Action depends greatly upon forward motion, the jury commonly pays close attention to the work’s power of progression. The jury usually considers:

  • whether the plot advances with clarity and force
  • whether the narrative possesses a discernible objective, conflict line, or movement toward a destination, resolution, or decisive confrontation
  • whether the sequence of events generates momentum rather than stagnation
  • whether each major scene contributes to development, complication, or consequence
  • whether the work avoids structural inertia, repetition, or unnecessary delay

A strong work in this genre normally gives the impression that events are unfolding under pressure, and that each phase of the narrative bears upon the next

Shape and Formal Coherence

The jury also considers whether the work possesses literary shape: that is, whether its parts are arranged with artistic discipline and internal necessity. Under this aspect, attention is often given to:

  • the presence of a clear beginning, development, and culminating movement
  • the coherence of transitions between episodes, locations, or confrontations
  • the balance between action scenes, narrative exposition, and necessary moments of pause
  • the management of escalation, so that the work grows in intensity rather than remaining on one level
  • the unity of the whole composition, so that the narrative feels formed rather than merely accumulated

In Adventure & Action, formal looseness may weaken effect. Even energetic material may fail artistically if it is shapeless, episodic without design, or insufficiently controlled.

Clarity of Stakes and Objective

A frequent point of consideration is whether the work establishes what is at risk and why the action matters. The jury commonly examines:

  • whether the central aim, mission, escape, pursuit, or struggle is intelligible
  • whether the dangers and consequences are concretely felt
  • whether the stakes are serious enough to sustain narrative tension
  • whether success and failure each bear meaningful consequences
  • whether the reader can understand what drives the characters forward

A mature submission usually treats conflict as a literary instrument of revelation, not merely as spectacle.

Active Character Function

Within this genre, the protagonist’s role is commonly judged not by passive emotional complexity alone, but by the quality of active engagement with circumstance. The jury often considers:

  • whether the main characters act decisively within the narrative world
  • whether they respond to danger with initiative, resourcefulness, courage, restraint, or strategic intelligence
  • whether their decisions alter the course of events
  • whether they are tested in ways appropriate to the genre
  • whether their conduct under pressure discloses moral or psychological substance

The jury may view unfavourably a text in which the central figures are carried by the plot without meaningful agency.

Pacing and Management of Tension

The handling of pace is frequently one of the most important considerations in the evaluation of this genre. The jury usually takes into account:

  • whether the work sustains narrative tension with consistency
  • whether moments of speed and pause are proportioned effectively
  • whether scenes of action are sufficiently vivid without becoming confused or excessive
  • whether the narrative avoids monotony, either through constant noise or through prolonged stillness
  • whether suspense, uncertainty, or pressure is maintained with literary control

Good pacing in Adventure & Action is not mere rapidity. It is the measured governance of intensity.

Setting as a Field of Action

The jury commonly considers whether the setting is merely decorative or whether it actively participates in the drama. In particular, the jury may evaluate:

  • whether landscapes, cities, seas, wildernesses, ruins, battle zones, roads, frontiers, or hostile environments function as real conditions of struggle
  • whether the world of the story creates credible opportunities for danger, discovery, resistance, or survival
  • whether the environment intensifies the ordeal or challenge
  • whether the setting contributes atmosphere without obscuring narrative clarity

In this genre, setting often serves not only as background, but as an active element of opposition, exposure, or revelation.

Artistic Value and Literary Execution

The jury does not ordinarily evaluate the work only by its entertainment value. It also considers whether the text possesses literary distinction. This commonly includes:

  • the strength, precision, and vitality of the language
  • the author’s command of imagery, rhythm, and tone
  • the capacity of the prose or verse to sustain force without vulgar excess or mechanical sensationalism
  • the ability of the work to unite action with emotional, symbolic, ethical, or intellectual depth
  • the degree to which the work rises above formula and acquires individual artistic presence

A work may be rich in incident and yet artistically weak if its language is careless, its scenes are crude, or its effects rely solely upon noise, violence, or cliché.

Originality Within Genre Convention

The jury commonly recognises that Adventure & Action has traditional patterns; however, it also values freshness of execution. The jury may therefore consider:

  • whether the work merely imitates familiar formulas or transforms them with individuality
  • whether the narrative offers a distinctive perspective, setting, conflict, or moral tension
  • whether the characters, situations, or dramatic turns possess originality of treatment
  • whether the work avoids predictability in its construction
  • whether convention is used with intelligence and artistic renewal

Originality does not require rejection of genre tradition; rather, it requires that tradition be handled with living force.

Emotional and Ethical Resonance

Though this genre is action-centred, serious literary evaluation often asks whether the work leaves a deeper impression than excitement alone. The jury commonly considers:

  • whether the struggles of the characters carry emotional truth
  • whether courage, fear, sacrifice, loyalty, betrayal, endurance, or loss are rendered with conviction
  • whether the work contains moral seriousness appropriate to its events
  • whether the action produces genuine human consequence
  • whether the reader is left not only with motion, but with meaning

This does not require overt moralising, but it does require depth of human significance.

Unity Between Action and Literary Form

One of the highest marks of quality in this genre is the union of kinetic narrative with disciplined literary craft. Accordingly, the jury often takes into account:

  • whether the action scenes are integrated into the artistic whole
  • whether spectacle and literary structure support one another
  • whether emotional, descriptive, and dramatic elements remain subordinated to a coherent design
  • whether the work reads as literature rather than as a mere sequence of incidents
  • whether the narrative energy is matched by formal intelligence

A superior work in Adventure & Action is usually one in which force and form are inseparable.

General Jury Understanding

Under ordinary literary evaluation, the jury is not concerned merely with whether “many things happen” in the text. It considers whether the work demonstrates:

  • true genre fidelity
  • coherent and progressive narrative shape
  • convincing stakes and conflict
  • active and tested protagonists
  • disciplined pacing and escalation
  • artistic command of language and composition
  • originality, resonance, and literary seriousness

Concluding Standard

A work in the Adventure & Action category is usually valued most highly when it proves itself not simply energetic, but well made; not simply dangerous, but meaningful; not simply rapid, but shaped. The jury commonly seeks a composition in which movement is governed by form, peril is sharpened by purpose, and action becomes a vehicle of literary power rather than an end in itself.

The Competition Presubmission Period Has Already Been Scheduled

Just below, you may see a countdown showing how many days remain before the competition presubmission period begins. On the indicated date, you will be able to visit our competitions and either reserve participation in advance or purchase a gift for someone close to you.

The competition presubmission period will begin in